Volume 55 No. 3 & 4

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Contents

N O N F I C T I O N
KATE LISTER CAMPBELL      Body Work
JUSTIN JANNISE                 A Flamboyance
GAGE SAYLOR                     I Wanna Talk to Pat
CAROLINE SUTTON              Ghost Plant

F I C T I O N
RACHAEL FOWLER              The Lady I Don't Know
NEAL HAMMONS                 Life-Coaching Sessions with Marlon Brando
MAX HIPP                         Stump Girl
JOHN KIM                         The Child
TALIA LAKSHMI KOLLURI      Someone Must Watch Over the Dead
STEPHANIE MACIAS             This Is My Good Side
GREG TEBBANO                  Spiders and Their Kin

P O E T R Y
JULIA C. ALTER      Rutland
JUBI ARRIOLA-HEADLEY       Addendum
JAI HAMID BASHIR       On Oysters
PIEDAD BONNETT translated by AJAY SAWANT       On the Edge
M. CYNTHIA CHEUNG       The Last Surgeon in Mariupol
JULIA KOLCHINSKY DASBACH       Watching Masha i Medved as Russia                                                         Invades Ukraine
MARISSA DAVIS      In summer, a bird 
                            Second Parable for the Apocalypse We Built: The Forum
DANIEL DONAGHY       Tulsa Triptych
EMET EZELL       WHITE MAN RUNNING KICKS HIS DOG
ZOË FAY-STINDT       Tar River Taxidermy
ADAM J. GELLINGS       Old Age
BENJAMIN S. GROSSBERG       Bud Break
JACOB GRIFFIN HALL       First I Should Acknowledge the Conditions
TENNESSEE HILL       Sometimes, Farm Boy
ASHLEY KUNSA       I Need Her on Her Knees
B. TYLER LEE       Vesper Bell with Supply Chain Breakdown
KAREN MCPHERSON       To the Quick
HELENA MESA       The want for faith
CINDY JUYOUNG OK       In Atlanta
DESIREE SANTANA       Flatfooting & Fatalism
JAMIE L. SMITH       Swatches
                            Training Ground
NICOLE STOCKBURGER       Palindrome
ALEXANDRA TEAGUE       Correlations     (online only)
ANEEQA WATTOO       Women's Time

C O V E R   A R T
DORIS ALEXANDER THOMPSON      Darker Sister, 1944. Ink on Paper. Gift of                                                        Dr. Lynn Barstis Williams Katz to the                                                             Imprinting the South Collection.                                                                  Collection of the Jule Collins Smith                                                                Museum of Fine Art at Auburn University.
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